Women worshipped him, fought over him and collapsed in orgasmic swoons while he played - " Lisztomania" they called it. Its themes have also served as the basis. In both the original piano solo form and in the orchestrated version this composition has enjoyed widespread use in animated cartoons. He then would proceed with hair flopping over his eyes, thumping his piano to pieces. 2 in C-sharp minor, S.244/2, is the second in a set of 19 Hungarian Rhapsodies by composer Franz Liszt, and is by far the most famous of the set. The flamboyant pianist would begin a concert by tossing his long blonde hair and throw his green gloves to the floor. He often took to seclusion in his room, and was heard practicing for over 10 hours a day. Selecting a list of just 15 outstanding recordings of Franz Liszt 's music that everyone will agree with is impossible, but for those who are just embarking on a journey through Liszt's sound world, these 15 selections represent 15 perfect starting points. In Paris, he attended a concert by the virtuoso violinist Paganini and became motivated to become the greatest pianist of his time. It was such a success that Beethoven, who knew his father, rushed up on stage and kissed him. After moving to Vienna to study under Salieri (Mozart's supposed rival), Liszt made his first public performance at the age of 9. Liszt displayed incredible talent at a young age, easily sight-reading multiple staves at once. In a performance of either the piano or orchestral versions, this rhapsody typically has a duration of about ten minutes.You whippersnappers may think celebrities are a phenomena of the modern age but Hungarian composer and pianist Franz Liszt (1811-1886) was just as famous throughout Europe as Lady Gaga and her ilk are today. The alternate material, playful and mostly gentle, comes off well enough in the orchestral version, but the triumphant ending that follows a development and reprise of earlier themes has a measure of bombast, even if it is colorful. Neither does this transcription possess the grimness of the darker elements associated with the main theme. The piece's exoticism is often given a slightly dreamier, more mellow cast, even though the orchestra can summon more power. This rhapsody begins with the requisite drama in the orchestral version, but takes on a slightly more reserved, somewhat stately manner in the presentation of the main theme. In general, the orchestral versions are more colorful, but more bombastic, too. Liszt also changed some of their keys this one, originally in C sharp minor in the piano version, changes to D minor in the orchestral rendition. The six orchestral rhapsodies are transcriptions of the piano originals in this order: 14, 12, 6, 2, 5, and 9. 2 (for piano) to its second position in the orchestral version. But a note of caution must be given here: there have been several popular recordings that have revised Liszt's renumbering, returning the famous Rhapsody No. 2 for orchestra is a transcription of No. As indicated in the headnote, this Rhapsody No. Item Number: HL.51481586 Liszt's piano rhapsodies are in the same tradition as his transcriptions of opera or song themes, but in this case the point of departure is folk dances and songs. When Liszt fashioned orchestral versions of six of the 19 Hungarian Rhapsodies for piano, he reordered them, thereby unintentionally creating some confusion that remains even today.
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